In The Buffalo Hunter Hunter, blood carries the violence of colonialism, while a settler’s journal controls whose story survives. This essay examines how Stephen Graham Jones uses vampirism and layered testimony to confront historical erasure.

Through a blend of horror studies, philosophical analysis, and aesthetics, Ordinary Horror: The Aesthetics of Deformation from Leopardi to Ferrante by NYU professor of Italian studies Andrea Capra explores undiscussed nuances in contemporary and canonical Italian literature alike.

Revenge asks very little of the reader. Establish a wound. Point the wounded party toward whoever made it. We handle the rest quickly because the arithmetic feels good, and we have been practicing it since we were old enough to be treated unfairly. Scott Hawkins gives you that arithmetic early in Blacktail, then spends the rest of the book taking the calculator apart on the table in front of you.

Vera Norrie’s life is going swimmingly. She’s respected at work (where she’s the youngest statistics professor in school history), has a supportive group of friends, and is getting engaged to the love of her life—her girlfriend Annie.

Then, on May 23rd, a day that would come to be known as the Low Probability Event, or LPE, nearly eight million people are killed in a vast, worldwide series of improbable freak accidents. One of the victims is Vera’s mother.

West Ambrose’s verse novel glosses over the original Inferno with the wordplay in its title, proposing Infernas as "a place or condition suggestive of hell...a conflagration [and]...the lower parts of the body, the abdomen". In this respect, Ambrose recontextualizes the original Divine Comedy as a site of body horror as well as psychological anguish.