“You’re going to need a bigger boat,” Chief Martin Brody (Roy Scheider) trembles, having seen the great white shark Quint (Robert Shaw) and Matt Hooper (Richard Dreyfuss) have been collectively searching for—hunting for—for the first time since the people of Amity Island started being consumed by the eating machine.

Dead Mail, an eerie new thriller on Shudder, blends lo-fi '80s aesthetics, haunting synths, and a story of obsession into a truly unforgettable descent into loneliness and delusion.

Directed by Richard Friedman and written by Nathan Illsley, Thou Shalt Kill is a new serial killer thriller available on Amazon that stars Augie Duke as Shannon, a recovering alcoholic whose soon-to-be ex-wife Jamie (Delilah Andre) decides to seek sole custody of their son Alby (Ayden Lozano). When Shannon is kidnapped by a “Priest” (Vince Lozano), a righteous killer bent on making the world fear God again, her despair frustrates the Priest’s demands that she must feel fear before he kills her.

Kaveh Daneshmand’s directorial debut, the French-language Endless Summer Syndrome, embraces the dark secrets that run quietly beneath the surface of a family.

The new release Red Rooms offers an intense and accurate take on true crime, cyber hacking, and the depths one will go to uncover the truth.

While slasher and monster movies often revolve around the hunter/hunted dynamic, gender-specific horror films, specifically those focusing on childbirth and pregnancy, add a unique twist with a visceral internal transformation narrative.

In the finale of Season Four of You, viewers realize that Joe hasn’t changed his murderous ways since leaving the United States and that he’s gotten much, much worse—or better when it comes to getting away with his crimes.

In the first few episodes of Season 4 of You recently released by Netflix, viewers find Joe Goldberg living a new, peaceful life in Europe. While he’s managed to refrain from his murderous tendencies in the states, it would appear he’s now the one in someone else’s crosshairs.

The Black Phone is a psychological thriller about a 13-year-old boy who must fight to escape the clutches of a neighborhood serial killer.

When a Danish family accepts the invitation of the Dutch family they met on vacation, they never expected just how grave their mistake could be.

Darren Aronofsky’s Requiem for a Dream (2000) dragged us down the rabbit hole of addiction. It was never considered a part of horror, despite its many genre tropes.

Death of Me, released last year on Netflix, induces gut-wrenching fear and anxiety, but also struggles with focus and overuse of specific horror tropes.

The Woman in the Window, one of Netflix’s latest psychological thrillers directed by Joe Wright, begins as a decent homage to Hitchcock, but weakens in its conclusion.

In the latest Peacock true crime documentary, John Wayne Gacy: Devil in Disguise, viewers are taken through a detailed timeline surrounding the events of the 1960s and 1970s Chicago “Killer Clown” murders.

The Creep duology is a carefully crafted combination that makes for a micro-budget psychological slasher we didn’t know we needed, but are so grateful to have.

For Women in Horror Month, Theresa reviews The Stranger by Katherine Oostman, a compelling Christmas horror story and our first short by an independent filmmaker.