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WSB x Moving Picture Review: Together
Dave Franco and Alison Brie star in Together, a body-horror-tinged warning against codependent relationships and a PSA to always bring water purification tablets on your hikes.
WSB x Moving Picture Review: Bring Her Back
In Bring Her Back, Andy and his visually impaired stepsister Piper are thrust into the foster care system following the unexpected death of their father. After Andy convinces their social worker not to split the pair up until he turns 18 when he can file for guardianship, Andy and Piper find themselves at the door of Laura, an ex-counselor who became a foster parent after her own daughter’s drowning, and Oliver, her eerily mute ward.
A Priest and an Alcoholic Walk Into a Bar: ‘Thou Shalt Kill’ (2025)
Directed by Richard Friedman and written by Nathan Illsley, Thou Shalt Kill is a new serial killer thriller available on Amazon that stars Augie Duke as Shannon, a recovering alcoholic whose soon-to-be ex-wife Jamie (Delilah Andre) decides to seek sole custody of their son Alby (Ayden Lozano). When Shannon is kidnapped by a “Priest” (Vince Lozano), a righteous killer bent on making the world fear God again, her despair frustrates the Priest’s demands that she must feel fear before he kills her.
[Movie Review] Steffen Haars’ ‘Get Away’ Coming to Theaters
Steffen Haars' Get Away, a horror-comedy blending dark humor and folk horror, debuts December 6 in U.S. theaters and streams on Shudder in 2025.
WSB x Moving Picture Review: Heretic
Chloe East and Sophie Thatcher deliver stunning performances in A24’s latest horror film Heretic, a take on religious horror that is timely and bold.
WSB x Moving Picture Review: Longlegs
Longlegs, straightforward as it appears, is one that will undeniably bear fruit with repeated screenings.
Watching Ti West's ‘The House of The Devil’ on VHS
Watching horror on a VHS tape isn’t just a throwback to decades past - its a whole other viewing experience.
Immaculate - Movie Review
Sydney Sweeney’s performance in Immaculate takes audiences by storm, launching the newly released horror film into heightened status. Spurring discussions on pro-choice and institutional power, the film is a refreshing new story in the nunsploitation subgenre.
Top Ten British Horror Films
Great Britain has, of course, a strong pedigree when it comes to classic horror films, so it's nearly impossible to narrow down to the ten best, but we gave it a shot.
[Movie Review] Gabriel Bier Gislason's ‘Attachment’ on Shudder
The feature debut from Denmark-based writer and director Gabriel Bier Gislason combines demonic possession and a rom-com style meet-cute in a horror romance steeped in Jewish folklore. Now streaming on Shudder.
The Horrors of the Human in ‘Midnight Mass’
The horror in Midnight Mass isn’t its vampire, though that is horrifying as well, but in its people—that an entire town of good, well-meaning families could be so easily convinced to turn on each other and their humanity. It’s a difficult but necessary pill to swallow in a post-COVID, post-QAnon world.
The Nature of God in Andrzej Żuławski's ‘Possession’
Andrzej Żuławski's Possession, having gained cult status 40 years later, tells the story of a failing marriage and an equally devastating relationship to God and divinity.
Movie Review: Keith Thomas's “The Vigil” (2019)
The Vigil, written and directed by Keith Thomas as part of his directorial debut, is a largely paint-by-numbers supernatural horror affair that manages to expand the Jewish horror subgenre in an enjoyable way.
Looking Back: 25 Years After ‘The Prophecy’
Twenty-five years after release, The Prophecy both remains a cult fixture in the film landscape and a compelling take on religious horror.