What Sleeps Beneath is an online magazine that explores the horror genre as one of the most important cultural vehicles of our time. It is a home for all horror-loving nerds, and a space to investigate what the genre tells us about ourselves. We write book and movie reviews, conduct interviews, and write original academic research.
Browse the full archive, or search for a specific article. Not sure where to start? Use the drop-down to browse by topic, format, or subgenre.
Archive
- B-Movies & Cult Classics
- Body Horror
- Books & Literature
- Classic Horror Films
- Cosmic Horror
- Cults & Religious Horror
- Essays
- Events
- Folk Horror
- Found Footage & Mockumentary
- Gendered & Queer Horror
- Ghosts & Hauntings
- Holiday Horror
- Independent Films
- International Horror
- Interviews
- Lists
- Possession & Exorcism
- Recipes
- Sci-Fi Horror
- Slashers
- Survival & Environmental Horror
- TV
- Thrillers
- True Crime
- Vampires
- Werewolves & Transformations
- Women in Horror
- Zombies
‘Penny Lane is Dead’: Ozploitation with a Punk Flare
The Land Down Under has a way of making its landscapes feel—deliciously hostile. In Wake in Fright, the scorched outback is the biggest threat of all; in Wolf Creek, the miles of empty road are essentially accomplices. In Mia’Kate Russell’s Penny Lane is Dead, however, the outback gives way to a beach house, but make no mistake—the beach is no less terrifying than the bush.