What Sleeps Beneath is an online magazine that explores the horror genre as one of the most important cultural vehicles of our time. It is a home for all horror-loving nerds, and a space to investigate what the genre tells us about ourselves. We write book and movie reviews, conduct interviews, and write original academic research.
Browse the full archive, or search for a specific article. Not sure where to start? Use the drop-down to browse by topic, format, or subgenre.
Archive
- B-Movies & Cult Classics
- Body Horror
- Books & Literature
- Classic Horror Films
- Cults & Religious Horror
- Essays
- Events
- Folk Horror
- Found Footage & Mockumentary
- Gendered & Queer Horror
- Ghosts & Hauntings
- Holiday Horror
- Independent Films
- International Horror
- Interviews
- Lists
- Possession & Exorcism
- Recipes
- Sci-Fi Horror
- Slashers
- Survival & Environmental Horror
- TV
- Thrillers
- True Crime
- Vampires
- Werewolves & Transformations
- Women in Horror
- Zombies
‘The Buffalo Hunter Hunter’: Vampires, Colonial Violence, and Who Gets to Tell the Story
In The Buffalo Hunter Hunter, blood carries the violence of colonialism, while a settler’s journal controls whose story survives. This essay examines how Stephen Graham Jones uses vampirism and layered testimony to confront historical erasure.
bunnydeath: Jiibayaabooz and the De-christing of Indigenous Horror Amidst Fascist Hellscapes in ‘Reanimal’
Reanimal, Tarsier Studios’s latest near-wordless video game, shows players a hellscape steeped in fascism where five children journey into the maws of death. On the surface, it is about a boy finding his beloved sibling amongst the wreckage and reuniting them with friends. Yet, nothing is what it appears as these masked travelers traverse realms of watery nightmares.
Challenging Perception in ‘The Last Wave’
In lieu of any scary villains or boogeymen, The Last Wave allows a primal awareness to roll in like a storm cloud. Peter Weir is content to provide a framework of a story and allow Indigenous voices to drive the substance of the film.