Pedro Almodóvar’s controversial 2011 film The Skin I Live In is the ultimate conundrum: It is both visually and auditorily appealing, exciting and shocking, and yet it is deeply problematic.

Indie filmmakers Kevin Ponntuti and Alexandra Loreth tackle the classic story The Yellow Wallpaper by Charlotte Perkins Gilman in a feminist narrative that just misses the mark.

In our latest Sundance roundup, Ande Thomas notes that Sims-Fewer and Mancinelli's Violation strikes a powerful chord in the rape-revenge subgenre, but Frida Kempff's Knocking falls flat in its attempt to tackle gaslighting.

Marking Women in Horror Month, we dive into the maternal and monstrous of Annie Wilkes in Misery.

A deep dive into the visuals of The Exorcism of Emily Rose reveals a haunting foreshadowing of the economic recession.