Finally, audiences will get to see the dark art of yoga for what it truly is. Coming into Chattanooga Film Festival, Mind Body Spirit, a found footage-style horror film about a hopeful yoga influencer, was one of the higher profile draws featured in the festival’s lineup.

The horror genre is well suited for the short-film format, allowing filmmakers to explore their creativity, often leading directly to bigger productions and full-length adaptations. In celebration of the 10th annual Chattanooga Film Festival, Ande Thomas reviews their Dangerous Visions Shorts Showcase.

Shudder has become an indispensable source of horror with its highly curated collections and broad selection of original works. Read on for a list of (more than) top ten Shudder original films.

Director Alex Davidson speaks to Ande Thomas about his upcoming film, Spirit of Fear, the challenges of maintaining tension with a sparse cast, and how fear and faith can sometimes go hand in hand.

Slash/Back–an Indigenous, young-adult supernatural slasher thematically evocative of The Thing (1982)--both interweaves young tenacity against monstrous odds with engaging ideas.

When a Danish family accepts the invitation of the Dutch family they met on vacation, they never expected just how grave their mistake could be.

Celebrate the Fourth of July with some of the best in American indie horror flicks that investigate and satirize several elements of national identity.

Indie filmmakers Kevin Ponntuti and Alexandra Loreth tackle the classic story The Yellow Wallpaper by Charlotte Perkins Gilman in a feminist narrative that just misses the mark.

In our latest Sundance roundup, Ande Thomas notes that Sims-Fewer and Mancinelli's Violation strikes a powerful chord in the rape-revenge subgenre, but Frida Kempff's Knocking falls flat in its attempt to tackle gaslighting.

For Women in Horror Month, Theresa reviews The Stranger by Katherine Oostman, a compelling Christmas horror story and our first short by an independent filmmaker.