The Transfiguration stitches together a new vision of what it means to be a vampire in modern cinema. A lovechild between Let the Right One In, and the hidden ’70s gem, George A. Romero’s Martin, it effectively builds on the rich history of vampire films in the U.S. and maintains a sense of relevancy, without sacrificing its unique point of view.

A deep dive into the visuals of The Exorcism of Emily Rose reveals a haunting foreshadowing of the economic recession.

The team working on Color successfully adapted a Lovecraft story for the modern world. The “indescribable” horror is translated to screen via brilliant practical effects and images largely only seen through a reflection—out of the proverbial corner of the viewer’s eye, if you will. What we see otherwise is nothing short of stomach-droppingly beautiful—a visual feast reminiscent of Mandy.

Sleepy Hollow successfully mixes horror, fantasy, romance and Burton’s hallmark visual style to create an experience that continues to enthrall viewers.

Though the movie is easily one of my favorites to come out of the last two years, there were some issues with focus that took me a bit out of the flow of the story.

Netflix brings the French-language Marianne to the Halloween table.