The knee-jerk synopsis you’re likely to hear most frequently for CAMP is a dreamy, mumblecore version of The Craft. And honestly, that’s a fair place to start. Like that ’90s classic, CAMP does center on a group of teen girls who form a coven, of sorts, and their magic does have real manifestation. Unlike The Craft, though, CAMP doesn’t really have a Fairuza Balk type character that drives a movie-defining wedge into the sisters, CAMP’s coven is one of empowerment and support—for better or worse.

Dan Pietersen explores how May Sinclair’s life influenced her weird fiction in British Library Publishing’s latest collection of Sinclair’s short stories, edited by Mike Ashley.

A story of South Sudanese refugees looking to make a new life in Britain, His House, written and directed by Remi Weekes, is the latest and greatest in 2020’s juggernaut social horror showcase.

From the tragic evening, into the unknown and unwavering forest, the viewer is met with horror-version visuals of what it might be like to live through a devastating experience.

And though I would first consider A Ghost Story (David Lowery) an unblinking, compassionate look at grief, there are also beautiful moments of introspection through the lens of memory.

A timely & thoughtful look at the 2019 Pet Sematary.