Catastrophe Cate, a DIY creative and actress, celebrates the Halloween season with the opening her new handmade, sustainable venture, The Handmade Horror Shoppe.

In Global Horror Cinema Today, author Jon Towlson explores recent horror films from across the world. In this interview, Towlson details his research process, how nations are using the genre to contend with their own difficult pasts, and other fascinating topics.

David Lynch’s work has left an indelible dream-shadow over much of the world of horror. In this interview with Dr. Lindsay Anne Hallam, we investigate what Lynch's work speaks to us, and the importance of found footage and desktop horror.

Continuing the seasonal tradition of ghost stories, I spoke with Dr. Murray Leeder about his research into the intersection of the supernatural and early cinema, his interest in ghost stories, and how all of this connects.

Horror is haunted by nostalgia, and in his latest book, author Grafton Tanner examines the intersection of Big Tech and the commodification of nostalgia, and how that, too, appears in horror movies.

With a global recession and nationalism on the rise, folk horror is taking center stage. Recently, Laura interviewed author Howard David Ingham about the resurgence of folk horror and its core themes.

Hauntings are not restricted to the dead: economic, social, cultural factors, and the very past itself can come to bear on the present. In this interview with Robert McLaughlin, author and lecturer, we discuss hauntology and suburban life.

Like the specters that have been known to haunt the Gothic fiction genre, Gothic modes have a tendency of cropping up where they might be least expected. For Dr. Julia Round, this means investigating comics and children’s literature.

Driven by a passion to bridge the gap between academia and fandom in horror, Dr. Aalya Ahmad has spent much of her career teaching students from a variety of backgrounds about what the genre has to offer, as well as diving into the intersection of feminist theory and horror.

There is something both viscerally compelling and haunting about religious horror, whether it simply be flavored with something like Catholic iconography or saturated with a terrifying belief system baked into the very writing.

Both Halloween and Veteran’s Day have come and gone, but around the end of October, I found myself thinking about the role of war in horror.

I recently had the chance to talk with magazine founding editor Maria Pérez Cuervo about what inspired the creation of [Hellebore] magazine, plans for the future, and how folk horror inspires her.